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Πρωτότυπο

Trio for Violin, Violoncello and Piano after the Sextet. Johannes Brahms. Cello sheet music. Violin sheet music. Piano Accompaniment sheet music.

Μετάφραση

Τρίο για βιολί, βιολοντσέλλο και πιάνο μετά την Sextet. Johannes Brahms. Cello παρτιτούρες. Παρτιτούρες βιολί. Παρτιτούρες Συνοδεία πιάνου.

Πρωτότυπο

Trio for Violin, Violoncello and Piano after the Sextet. in B-flat major op. 18. Composed by Johannes Brahms. 1833-1897. Edited by Christopher Hogwood. Arranged by Theodor Kirchner. For violin, cello and piano. Score with parts. Published by Baerenreiter Verlag. BA.BA9441. In addition to Barenreiter's scholarly-critical editions of Brahms' trios, an arrangement of Brahms' String Sextet op. 18 for piano trio by his contemporary and friend Theodor Kirchner is now being published. Simrock, Brahms' publisher, issued it in 1883. Brahms responded to the arrangement of his sextet with total enthusiasm and praise for the skills of his friend Kirchner. Christopher Hogwood's scholarly-critical edition includes an introduction which sheds light not just on the history of the arrangement and its validity in its own right, but also on Kirchner and his relationship to Brahms.

Μετάφραση

Τρίο για βιολί, βιολοντσέλλο και πιάνο μετά την Sextet. in B-flat major op. 18. Αποτελείται από τον Γιοχάνες Μπραμς. 1833-1897. Edited by Christopher Hogwood. Διοργανώνονται από Theodor Kirchner. Για βιολί, βιολοντσέλο και πιάνο. Αποτέλεσμα με εξαρτήματα. Δημοσιεύθηκε από Baerenreiter Verlag. BA.BA9441. In addition to Barenreiter's scholarly-critical editions of Brahms' trios, an arrangement of Brahms' String Sextet op. 18 for piano trio by his contemporary and friend Theodor Kirchner is now being published. Simrock, Brahms' publisher, issued it in 1883. Μπραμς απάντησε με τη διάταξη του σεξτέτο του με πλήρη ενθουσιασμό και τον έπαινο για τις ικανότητες του φίλου του Κίρχνερ. Christopher Hogwood's scholarly-critical edition includes an introduction which sheds light not just on the history of the arrangement and its validity in its own right, but also on Kirchner and his relationship to Brahms.