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Πρωτότυπο

Abun D'bash'maiyo. Choir sheet music. Advanced.

Μετάφραση

Abun D'bash'maiyo. Χορωδία παρτιτούρες. Αναλυτική.

Πρωτότυπο

Abun D'bash'maiyo composed by Traditional Syriac Chant. Arranged by Mark D. Templeton. For Choir, SATB. 21st Century, Sacred, World, Folk. Advanced Intermediate. , , Sheet Music Single. Mark Templeton Choral Music #MTN002. Published by Mark Templeton Choral Music. S0.18978. Composed by Mark Templeton for SATB divisi chorus a cappella. Since the dawn of the first century, the text from the gospel of Matthew 6. 9-13, known as the Lordâs Prayer, has inspired many musicians across the globe from Palestrina to Schubert to Duruflà and countless modern composers. The vast collections of Western plainchant and Byzantine chant also include the Lordâs Prayer in their repertoire. Probably the most unheralded version comes from the Beth Gazo, a collection of liturgical chants and hymns of the Eastern Syriac Orthodox Church. The Beth Gazo. The Treasury of Chants. is the Eastern Churchâs equivalent of the Liber Usualis of the Roman rite. The roots of the collection can be traced as far back as the second century with Ephrem the Syriac contributing the bulk of the chants. It is supposed that thousands of chants existed in the original collection, but since they were only passed down through an oral tradition, only 700 or so have survived. Only in the late twentieth century have musicologists begun to preserve these in musical notation. The Abun dâbashâmaiyo. Our Father. is one such chant that has survived. When I set out to compose the Lordâs Prayer for my Compline, I wanted to try something different. I searched until I came across this version from the Peshitta text in Syriac, one of the dialects of old Aramaic. Historians and biblical scholars generally agree that Jesus would have spoken Aramaic. I thought it would be wonderful to compose something using the language, or near language, of Christ. I decided to use the actual chant from the Beth Gazo as my melody. The melody uses the Arabic maqam, Nahawand. نهØونØ. , which is basically a melodic minor scale found so prevalently in music from the Fertile Crescent. The chant is sung like a hymn with four verses repeating the same melody. The only words that are not traditionally used as part of the chant is the title, Abun dâbashâmaiyo. I set these words as a kind of intoning chant before each verse with the last intonation using the full divisi and power of the choir. This meditative and somewhat surreal setting is well suited for any sacred service or for a multi-cultural concert. Mark Templeton, born 1974, is an American choral composer, conductor, and countertenor. Templetonâs music has been performed across the world at various international festivals and ACDA conventions. Some of his music is published by Santa Barbara Music Publishing, and he has recently started to self-publish. He teaches and resides with his wife, Becca, at West Nottingham Academy in Colora, Maryland, the oldest boarding school in the United States. He also enjoys coaching, playing, and watching soccer when he is not working. He is available for commission upon request. Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play. View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. Use our iPad app to view your digital sheet music on the go. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application.

Μετάφραση

Abun D'bash'maiyo composed by Traditional Syriac Chant. Ενορχήστρωση από τον Mark Δ Templeton. For Choir, SATB. 21st Century, Sacred, World, Folk. Σύνθετη Intermediate. ,, Sheet Music Single. Mark Templeton Choral Music #MTN002. Δημοσιεύθηκε από τον Mark Templeton χορωδιακή μουσική. S0.18978. Composed by Mark Templeton for SATB divisi chorus a cappella. Since the dawn of the first century, the text from the gospel of Matthew 6. 9-13, known as the Lordâs Prayer, has inspired many musicians across the globe from Palestrina to Schubert to Duruflà and countless modern composers. The vast collections of Western plainchant and Byzantine chant also include the Lordâs Prayer in their repertoire. Probably the most unheralded version comes from the Beth Gazo, a collection of liturgical chants and hymns of the Eastern Syriac Orthodox Church. The Beth Gazo. The Treasury of Chants. is the Eastern Churchâs equivalent of the Liber Usualis of the Roman rite. The roots of the collection can be traced as far back as the second century with Ephrem the Syriac contributing the bulk of the chants. It is supposed that thousands of chants existed in the original collection, but since they were only passed down through an oral tradition, only 700 or so have survived. Only in the late twentieth century have musicologists begun to preserve these in musical notation. The Abun dâbashâmaiyo. Ο πατέρας μας. is one such chant that has survived. When I set out to compose the Lordâs Prayer for my Compline, I wanted to try something different. I searched until I came across this version from the Peshitta text in Syriac, one of the dialects of old Aramaic. Historians and biblical scholars generally agree that Jesus would have spoken Aramaic. I thought it would be wonderful to compose something using the language, or near language, of Christ. I decided to use the actual chant from the Beth Gazo as my melody. The melody uses the Arabic maqam, Nahawand. نهØونØ. , which is basically a melodic minor scale found so prevalently in music from the Fertile Crescent. The chant is sung like a hymn with four verses repeating the same melody. The only words that are not traditionally used as part of the chant is the title, Abun dâbashâmaiyo. Έθεσα αυτά τα λόγια ως ένα είδος υπερτονίζουν άσμα πριν από κάθε στίχο με την τελευταία τονισμός χρησιμοποιώντας την πλήρη Divisi και τη δύναμη της χορωδίας. This meditative and somewhat surreal setting is well suited for any sacred service or for a multi-cultural concert. Mark Templeton, που γεννήθηκε το 1974, είναι ένας Αμερικανός συνθέτης χορωδιακής, μαέστρος, και κόντρα. Templetonâs μουσική έχει πραγματοποιηθεί σε όλο τον κόσμο σε διάφορα διεθνή φεστιβάλ και συνέδρια ΑοϋΑ. Μερικές από τη μουσική του δημοσιεύεται από Santa Barbara Music Publishing, και έχει πρόσφατα άρχισε να αυτο-δημοσιεύουν. Διδάσκει και κατοικεί με τη σύζυγό του, Μπέκα, στο West Nottingham Ακαδημία στο Colora, Μέριλαντ, το παλαιότερο οικοτροφείο στις Ηνωμένες Πολιτείες. Του αρέσει επίσης να προπόνηση, παίζουν, και βλέποντας ποδόσφαιρο, όταν δεν εργάζεται. Είναι διαθέσιμο για προμήθεια κατόπιν αιτήματος. Η ψηφιακή εκτύπωση είναι εκτυπώσιμο παρτιτούρες διαθέσιμα οποιαδήποτε στιγμή, οπουδήποτε. Απλά αγοράς, εκτύπωσης και αναπαραγωγής. Δείτε online παρτιτούρες σας στο σπίτι, το σχολείο, την εργασία ή οπουδήποτε έχετε έναν υπολογιστή συνδεδεμένο στο Internet. Χρησιμοποιήστε το iPad app μας για να δείτε τις ψηφιακές παρτιτούρες σας εν κινήσει. Με την ψηφιακή εκτύπωση, μπορείτε να εκτυπώσετε την ψηφιακή μουσική φύλλο σας αμέσως μετά την αγορά, ή να περιμένετε μέχρι βολική του. Και την εγκατάσταση του λογισμικού μας είναι εύκολο - θα σας καθοδηγήσει μέσα από τα απλά βήματα για να βεβαιωθείτε ότι έχετε το Adobe Flash Player, Adobe AIR και το Φύλλο εφαρμογή Music Plus AIR.