Παρτιτούρα $47.95

Πρωτότυπο

Passacailles. Mikis Theodorakis. Piano Solo sheet music.

Μετάφραση

Passacailles. Μίκης Θεοδωράκης. Piano Solo παρτιτούρες.

Πρωτότυπο

Passacailles composed by Mikis Theodorakis. 1925-. For 2 pianos. 4 hands. This edition. paperback. Piano. Level 3-4. Text Language. Greek - French - English. Composed 1955. 44 pages. Duration 18 minutes. Published by Edition Romanos. M7.ER-48. ISBN 978-960-87567-0-0. With Text Language. Greek - French - English. The "Passacailles for two Pianos" were written during the years. 1954-60. when the composer lived and studied in Paris. During this period his compositional technique was dominated by a system of tetrachords built on the basic melodic material. The "Passacailles" may be regarded as typical examples of the aesthetic doctrine favoured by Theodorakis during this period when he incorporated tetrachords and still dominant classical compositional techniques into his own very personal contemporary conception. The soundscape generated by the two pianos, seemingly in competition with each other, is certainly amongst the most extreme and most enigmatic experiences to be found in the diverse and wide-ranging oeuvre of this important contemporary composer. Prelude. Divertimento. Passacailles I-VI.

Μετάφραση

Passacailles composed by Mikis Theodorakis. 1925 -. Για 2 πιάνα. 4 χέρια. Αυτή η έκδοση. βιβλίο τσέπης. Σχέδιο. Επίπεδο 3-4. Κείμενο Γλώσσα. Ελληνικά - Γαλλικά - Αγγλικά. Αποτελείται 1955. 44 σελίδες. Διάρκεια 18 λεπτά. Δημοσιεύθηκε από Edition Ρωμανού. M7.ER-48. ISBN 978-960-87567-0-0. Με Κείμενο Γλώσσα. Ελληνικά - Γαλλικά - Αγγλικά. The "Passacailles for two Pianos" were written during the years. 1954-60. when the composer lived and studied in Paris. During this period his compositional technique was dominated by a system of tetrachords built on the basic melodic material. The "Passacailles" may be regarded as typical examples of the aesthetic doctrine favoured by Theodorakis during this period when he incorporated tetrachords and still dominant classical compositional techniques into his own very personal contemporary conception. The soundscape generated by the two pianos, seemingly in competition with each other, is certainly amongst the most extreme and most enigmatic experiences to be found in the diverse and wide-ranging oeuvre of this important contemporary composer. Προανάκρουσμα. Διασκέδαση. Passacailles I-VI.