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Πρωτότυπο

Sonata in E flat. Heinrich Ignaz Franz von Biber. Piano and Keyboard sheet music. Violin sheet music.

Μετάφραση

Σονάτα σε μι ύφεση. Heinrich Ignaz Franz von Biber. Πιάνο και μουσική φύλλων πληκτρολόγιο. Παρτιτούρες βιολί.

Πρωτότυπο

Sonata in E flat composed by Heinrich Ignaz Franz von Biber. 1644-1704. Edited by Gunter Graulich. Arranged by Paul Horn. For violin with scordatura, basso continuo. This edition. Paperbound. Es-Dur. E-flat major. German title. Violinsonate in Es. um 1700. Score and 2 parts. Language. all languages. Composed 1804. 44 pages. Duration 12 minutes. Published by Carus Verlag. CA.1530500. ISBN M-007-09655-7. With Language. all languages. Stylistically, this anonymous sonata for scordatura violin, which has been preserved in the holdings of the Dresden Court Orchestra, points to the southern German-Austrian school of violin, and it shows the high level of the art of violin playing in Germany in the late 17th and early 18th centuries. A contemporary, handwritten note on the cover of the music refers to Heinrich Ignaz Franz Biber and there are actually amazing similarities to works by this composer which would suggest that he indeed composed the work. However, a definitive clarification of this question must remain open.

Μετάφραση

Sonata in E flat composed by Heinrich Ignaz Franz von Biber. 1644-1704. Επεξεργασία από Gunter Graulich. Που διοργανώνονται από τον Paul Horn. For violin with scordatura, basso continuo. Αυτή η έκδοση. Paperbound. Es-Dur. E-ύφεση μείζονα. Γερμανικό τίτλο. Violinsonate in Es. 1700. Σκοράρει και 2 μέρη. Γλώσσα. όλες οι γλώσσες. Αποτελείται 1804. 44 σελίδες. Διάρκεια 12 λεπτά. Δημοσιεύθηκε από Carus Verlag. CA.1530500. ISBN M-007-09655-7. Με Γλώσσα. όλες οι γλώσσες. Stylistically, this anonymous sonata for scordatura violin, which has been preserved in the holdings of the Dresden Court Orchestra, points to the southern German-Austrian school of violin, and it shows the high level of the art of violin playing in Germany in the late 17th and early 18th centuries. A contemporary, handwritten note on the cover of the music refers to Heinrich Ignaz Franz Biber and there are actually amazing similarities to works by this composer which would suggest that he indeed composed the work. However, a definitive clarification of this question must remain open.