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Πρωτότυπο

Matthew Locke. Songs and Dialogues for Voice and Basso Continuo. Sheet Music. Voice and Basso Continuo. VCE. CONT. Matthew Locke.

Μετάφραση

Matthew Locke. Τραγούδια και Διάλογοι για φωνή και μπάσο κοντίνουο. Παρτιτούρες. Φωνή και μπάσο κοντίνουο. VCE. CONT. Matthew Locke.

Πρωτότυπο

Edited by Mark Levy. CONTENTS. A Dialogue. Alas, alas, who has been here. D - G. and. D - D. A Dialogue between Apollo and Neptune. D - F. and. G - D. A Dialogue between Thirsis and Dorinda. E - G. and. C - E. Bone Jesu Verbum Patris. C - F sharp. Lucinda, wink or veil those eyes. E - F. The Despondent Lover’s Song. D sharp - G. The Passing Bell. D - F. with chorus. sop. F sharp - F nat. bass. G - D. Then from a whirlwind oracle. D - E. To a Lady singing to herself by the Thames-side. E - A. Urania to Parthenissa. A Dream. E - G. Wrong not your lovely eyes. E - F. Never before collected in one volume, the surviving solo songs and dialogues of this fascinating Restoration figure have been edited by Mark Levy, bass-viol virtuoso and one of Britain’s outstanding early music performers. This volume is a valuable companion to the larger works of Locke published in the Musica Britannica series, filling a serious gap for performers and scholars, as well as providing a selection of fine repertoire particularly suited to complement Purcell’s songs.

Μετάφραση

Edited by Mark Levy. CONTENTS. A Dialogue. Alas, alas, who has been here. D - G. και. D - D. A Dialogue between Apollo and Neptune. D - F. και. G - D. A Dialogue between Thirsis and Dorinda. Ε - Ζ. και. Γ - Ε. Bone Jesu Verbum Patris. Γ - φα δίεση. Lucinda, wink or veil those eyes. E - F. The Despondent Lover’s Song. Δ απότομη - G. Η Περνώντας Bell. D - F. χορωδία. δόλωμα. F sharp - F nat. μπάσσο. G - D. Then from a whirlwind oracle. D - E. To a Lady singing to herself by the Thames-side. E - A. Urania to Parthenissa. A Dream. Ε - Ζ. Wrong not your lovely eyes. E - F. Never before collected in one volume, the surviving solo songs and dialogues of this fascinating Restoration figure have been edited by Mark Levy, bass-viol virtuoso and one of Britain’s outstanding early music performers. This volume is a valuable companion to the larger works of Locke published in the Musica Britannica series, filling a serious gap for performers and scholars, as well as providing a selection of fine repertoire particularly suited to complement Purcell’s songs.