Brandenburg Concerto No.2 in F major, BWV 1047 (Bach, Johann Sebastian)

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Publisher. Info. Six Concerts avec plusieurs Instruments (f.14v-26r)
Holograph manuscript, 1721.
Copyright
Misc. Notes Staatsbibliothek zu Berlin (D-B), Amalien-Bibliothek: Am. B. 78 (2)
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Copyist Christian Friedrich Penzel (1737–1801)
Publisher. Info. Manuscript, n.d.(ca.1755).
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Misc. Notes Staatsbibliothek zu Berlin (D-B): Mus. ms. Bach P 1062 This manuscript is thought to preserve a version earlier than the final, dedicated version, although the deviation from the final version is rather small.
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Editor Wilhelm Rust (1822–1892)
Publisher. Info. Bach-Gesellschaft Ausgabe, Band 19 (pp.31-56)
Leipzig: Breitkopf und Härtel, 1871. Plate B.W. XIX.
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A1221. (#700441)
New York: Dover Publications, 1976. (#16311)
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Misc. Notes Issued by Breitkopf as a separate score with plate B.W. 267
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Editor Kurt Soldan (1891–1946)
Publisher. Info. Sechs Brandenburgische Konzerte (pp.35-58)
Moscow: Muzgiz, 1960. Plate 27767.
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Misc. Notes Possibly reprinted from the 1934 score issued by Peters.
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Editor Heinrich Besseler (1900–1969)
Translator Hans Ferdinand Redlich (1903–1968), English text (Preface)
Publisher. Info. Neue Bach-Ausgabe, Serie VII, Band 2 (pp.41-70)
Kassel: Bärenreiter Verlag, 1956. Plate BA (DVfM) 5005.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1988). Catalog A3351. (#700440)
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Misc. Notes Addition of preface is under copyright in the EU. Kalmus re-numbered music pages as 1-28, with preface numbered as I-III.
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Editor Heinrich Besseler (1900–1969)
Revised edition, 1965
Publisher. Info. Neue Bach-Ausgabe, Serie VII, Band 2 (pp.41-70)
Kassel: Bärenreiter Verlag, 1956. Plate BA 5005.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Misc. Notes 600 dpi. Page size is 10.00 x 12.688 inches.
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Editor CCARH Team
Publisher. Info. Palo Alto: CCARH, 2004.
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Editor Andy Vaught
Publisher. Info. Mutopia Project, 2009.
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Editor Michel Rondeau
Publisher. Info. Michel Rondeau
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Editor Paul-Gustav Feller
Publisher. Info. Ritter von Schleyer Verlag
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Editor RSB
Publisher. Info. RSB, 2010
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Parts

10 more: Oboe solo • Trumpet solo (F, original) • Trumpet solo (F, simplified) • Violin solo • Violins I • Violins II • Violas • Cellos • Basses • Continuo (Harpsichord)

Editor Wilhelm Rust (1822–1892)
Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.(ca.1890). Plate J.S.B. Orch.5.
Reprinted New York: E.F. Kalmus, n.d.(1933–70). Catalog A1221.
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8 more: Oboe solo • Trumpet solo (F alto) • Violin solo • Violins I, II • Violas • Cellos • Violone (Basses) • Continuo (Harpsichord)

Editor Heinrich Besseler (1900–1969)
August Wenzinger (1905–1996)
Eduard Müller (1912–1983), continuo*
Publisher. Info. Neue Bach-Ausgabe, Serie VII, Band 2
Kassel: Bärenreiter Verlag, 1956. Plate BA 5109.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1988). Catalog A3351.
Copyright
Misc. Notes Issued as a supplement to NBA volume. Müller's realization is likely protected in CA, EU.
These files are part of the Orchestra Parts Project.
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8 more: Oboe solo • Trumpet solo (F alto) • Violin solo • Violins I • Violins II • Violas • Cellos • Violone (Basses)

Editor Andy Vaught
Publisher. Info. Mutopia Project, 2009.
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10 more: Oboe solo • Trumpet solo (C) • Violin solo • Harpsichord • Violins I • Violins II • Violas • Cellos • Basses • Engraving files (Finale)

Editor Michel Rondeau
Publisher. Info. Michel Rondeau
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Arrangements and Transcriptions

Complete

For Orchestra (Mottl)

12 more: Flute 1, 2, 3 • Oboe 1, 2, 3 • Clarinet 1, 2 (B♭) • Bassoon 1, 2 • Horn 1, 2 (F) • Trumpet 1, 2 (F) • Violin solo • Violins I • Violins II • Violas • Cellos • Basses

Arranger Felix Mottl (1856–1911)
Publisher. Info. Leipzig: Breitkopf und Härtel, 1901. Plate Part B. 1638; Orch. B. 1336/37.
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A6772.
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For Flute, Oboe, Clarinet, Bassoon and Horn (Shoji)

5 more: Flute • Oboe • Clarinet (B♭) • Bassoon • Horn (F)

Arranger Satoshi Shoji
Publisher. Info. Satoshi Shoji
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For Horn, Trumpet and Euphonium (Messerschmidt)
Arranger Hans Jorgen Messerschmidt (b. 1944)
Publisher. Info. Hans Jorgen Messerschmidt, 2017.
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For 2 Pianos (Besseling)
Arranger Peter Besseling (b. 1953)
Publisher. Info. Peter Besseling, 2022.
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For Piano 4 hands (Reger)
Arranger Max Reger (1873–1916)
Publisher. Info. Leipzig: C.F. Peters, No.3108, n.d. Plate 9030.
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For Piano (Brailsford)
Arranger Heather Brailsford
Publisher. Info. Heather Brailsford
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Allegro (No.1)

For Strings (Johnson)

9 more: Violin 1 (concertino) • Violin 2 (concertino) • Cello (concertino) • Violins 1 (ripieno) • Violins 2 (ripieno) • Violas (ripieno) • Cellos (ripieno) • Basses (ripieno) • Continuo (Keyboard)

Arranger Kathryn Burger Johnson
Publisher. Info. Kathryn Burger Johnson, 2024.
Copyright
Misc. Notes Movement 1 (abridged) transcribed as a Concerto Grosso for Strings
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For 8 Recorders (Young)
Arranger James Howard Young (b. 1975)
Publisher. Info. James Howard Young, 2020.
Copyright
Misc. Notes For 8 alto recorders
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Andante (No.2)

For Trumpet, 2 Violins, Viola, Cello and Organ (Fine)
Arranger Elaine Fine
Publisher. Info. Elaine Fine
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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For Flute, Oboe, Clarinet, Bassoon and Horn (Kriegler)

5 more: Flute • Oboe • Clarinet (B♭) • Bassoon • Horn (F)

Arranger Mitchell Kriegler
Publisher. Info. Mitchell Kriegler
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For 4 Recorders (Tennent)
Arranger R.D. Tennent
Publisher. Info. R.D. Tennent
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Misc. Notes These file(s) are part of the Werner Icking Music Collection, and are also included in the Mondrup Recorder Collection.
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For Piano 4 hands (Siloti)
Arranger Alexander Siloti (1863–1945)
Publisher. Info. New York: Carl Fischer, 1927. Plate 24313–17.
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Misc. Notes This file is from the MIT archive project.
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For Piano (Sun)
Arranger Ruoshi Sun
Publisher. Info. Ruoshi Sun, 2023.
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Recordings Piano performance by Ruoshi Sun (2023)
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Allegro assai (No.3)

For 5 Accordions and Bass Accordion (De Bra)
Arranger Paul De Bra (b. 1959)
Publisher. Info. Paul De Bra, 2022.
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General Information

Work Title Brandenburg Concerto No.2
Alternative. Title Concerto secondo
Name Translations 2. Brandenburgisches Konzert; Concerto brandeburghese n. 2; Concert de Brandenburg núm. 2; concerto brandebourgeois n° 2; ブランデンブルク協奏曲 第2番; [2 more...]Concierto de Brandeburgo n.º 2; Brandenburga Konĉerto n-ro 2
Name Aliases Concert núm. 2 fa major, BWV 1047; Concert núm. 2 en fa major; Concert núm. 2 en fa major, BWV 1047
Authorities WorldCat; VIAF: 178025615; GND: 300005377; BNF: 13909434q
Composer Bach, Johann Sebastian
Opus/Catalogue NumberOp./Cat. No. BWV 1047
Internal Reference NumberInternal Ref. No. IJB 44
Key F major
Movements/SectionsMov'ts/Sec's 3 movements:
1. [no tempo indication] (118 bars)
2. Andante (65 bars)
3. Allegro assai (139 bars)
Year/Date of CompositionY/D of Comp. 1721* in Six Concerts avec plusieurs Instruments (No.2)
First Publication. 1851 – Leipzig: C.F. Peters (ed. Dehn)
Dedication Markgraf Christian Ludwig von Brandenburg-Schwedt
Average DurationAvg. Duration 12 minutes
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation recorder*, oboe, trumpet, violin, strings, continuo (harpsichord)
Discography MusicBrainz
Authorities Wikidata
Manuscript Sources Bach Digital (source list)
External Links All Music Guide
Wikipedia article (section)
Scores at Sheet Music Plus
Extra Information *Probably composed in 1718 and copied into the 1721 holograph. The part is named as "flauto" (flute) in the holograph and nearly all printed editions, and is performed on flute (i.e., transverse flute) on both baroque and modern instruments on countless recordings. The name "flauto" is also shorthand for flauto dolce (recorder) which is featured at least as often as the orchestral flute.

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The Six Brandenburg Concertos Harpsichord Concertos
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Oboe Concertos Concertos for various instruments